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About Alexander De Large

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Lindsay Lohan Passed Around

Lindsay Lohan Passed Around

Look at Lindsay Lohan being given the old in-out by first one malchick then another then another then another.

Lohan is undoubtably a victim of Monarch Mind Control and a sex slave entertainment puppet for the elite. I can’t look. I think I’m gonna be sick. I didn’t always feel this way, in fact I used to feel the exact opposite when looking at pictures like this. I used to feel real horrorshow.

Lindsay’s next paycheck will be for sleeping with Charlie Sheen’s character on Anger Management. This role will not be a stretch for Lindsay. She will be lying on her back in a bed next to Charlie Sheen. A position she seems comfortable in.

Police State Symbolism in Muse’s Madness

Enjoying a hilton

Hi hi hi there my brothers and only friends. This is an interesting video by the rock band Muse. The video starts out with two models enjoying a hilton in the tube.

Rioters Tube

The peace of the young lovers is disturbed, however, by rioters who come down the moving stairs.

Police Tube

The police follow the rioters down the tube. Let’s listen to the lyrics:

“Madness”

(Ma-ma-ma-ma-ma-ma-ma…)

I, I can’t get these memories out of my mind,
And some kind of madness has started to evolve.
(Ma-ma-ma-ma-ma-ma-ma…)
I, I tried so hard to let you go,
But some kind of madness is swallowing me whole, yeah
(Ma-ma-ma-ma-ma-ma-ma…)

I have finally seen the light,

2012: Matt Bellamy: ‘I’m No Longer A 9/11 Conspiracy Theorist’

And I have finally realized
What you mean.

Ooh oh oh

And now I need to know is this real love,
Or is it just madness keeping us afloat?
(Ma-ma-ma-ma-ma-ma-ma…)
And when I look back at all the crazy fights we had,
Like some kind of madness was taking control, yeah
(Ma-ma-ma-ma-ma-ma-ma…)

And now I have finally seen the light,

Steak

2013 Kate Hudson and Matthew Bellamy at the Vanity Fair Brit Awards Party. Brit Trophy & a Trophy Girl!

And I have finally realized
What you need.

Mmmm…

(Ma-ma-ma-ma-ma-ma-ma…)

And now I have finally seen the end (finally seen the end)
And I’m not expecting you to care (expecting you to care)

Muse

But I have finally seen the light (finally seen the light)
I have finally realized (realized)
I need to love
I need to love

Come to me
Just in a dream.
Come on and rescue me.
Yes I know, I can be wrong,
Maybe I’m too headstrong.
Our love is
(Ma-ma-ma-ma-ma-ma-ma…)
Madness

Rioters Molotov

The rioters are preparing molotov cocktails.

Police Water Cannon

The Police prepare the water cannon.

Muse Madness Smoke GIF

The video ends with the lovers enjoying their shiney happy people in the tube while the police restore order. What does Matt Bellamy foresee in Britain’s future? Will there be anarchy in the UK? Or will Matt Bellamy and his trophy girlfriend keep enjoying the privileged life of the 1%? Bellamy no longer thinks 9/11 is an inside job now that he’s rich and famous. He’s been talking to Agent Smith. He’s been enjoying that steak and plugging himself back into the matrix. All it took was one Olympic performance for him to do a 180 degree turn.

I don’t know about you droog, but I’ve seen enough award shows for mediocre music. I’m for anarchy.

Eyes Wide Shut Party Thrown at Sundance Festival

Eyes Wide Shut

With A-list clients such as Jennifer Aniston, Tom Cruise, Camron Diaz, Tom Hanks, Vanessa Hudgens, Will Smith, Meryl Street, Nicole Kidman, Steven Spielberg, Britney Spears, Kanye West and many, many others, Creative Artists Agency (CAA) is well known as Hollywood’s leading talent agency. Literally dealing with billions of dollars and the most influential people in film, music, television and sports, CAA is a powerful entity in the entertainment industry.

This year, the agency threw one hell of a party during the Sundance festival – one that managed to even shock the Hollywood crowd that was present. The party featured “lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.” According to guests, the party was overtly lewd, pornographic and debaucherous and was described as a mash-up of “Cirque du Soleil and the orgy scene from Stanley Kubrick’s Eyes Wide Shut.”

While all of this fake sex and drugs is a good indication of the moral standards that are upheld at Hollywood’s higher instances, this is surprisingly not the most disturbing fact about the party. The theme and the symbolism of this event, based on a perverted version of Alice in Wonderland + an Eyes Wide Shut type orgy is nothing less than a celebration of the industry’s Mind Control and sex rituals. As stated in numerous articles Alice in Wonderland is a staple in Mind Control
programming, where slaves are told to “follow the White Rabbit” and “go through the looking glass”. Having an Alice look-a-like (who is a child by the way) performing sex acts on the White Rabbit is the type of sick perversion MK handlers attach to the story. Furthermore, satanic sex rituals à-la Eyes Wide Shut are also used on MK slaves to traumatize them.

In short, CAA’s party is one big celebration of the Illuminati’s entertainment industry, one that is about exploitation, prostitution, drugs, mind control and rituals. Even if everything there was fake, it was an accurate reflection of what truly happens behind the scenes in Hollywood. Here’s an article about CAA’s party from the LA Times.

A bawdy CAA party at Sundance shocks guests, including clients

Creative Artists Agency’s party at the Sundance Film Festival, featuring scantily clad performers and sex toys, provokes a public relations backlash.

PARK CITY, Utah — Parties at the Sundance Film Festival typically feature maverick filmmakers, the best in nouvelle cowboy cuisine and plentiful pours of high-end spirits and Utah microbrews.
But the bash thrown by Hollywood’s powerful Creative Artists Agency on Sunday night took festival revelry in an unexpectedly bawdy direction, as Sundance guests mingled with lingerie-clad women pretending to snort prop cocaine, erotic dancers outfitted with sex toys and an Alice in Wonderland look-alike performing a simulated sex act on a man in a rabbit costume.

For decades, CAA has carefully maintained a reputation as Hollywood’s most meticulous talent firm, but CAA’s leave-nothing-to-chance attention to decorum vanished in that Bacchanalian blizzard on the snowy streets of this mountain resort.
Some CAA clients found the party so shocking that they said it made them embarrassed to be associated with the agency.

“I said to my agent, ‘Is this how you want to brand yourself? Pole dancers? Really?’” said Oscar-nominated writer-director Naomi Foner, who was at the festival with her film, “Very Good Girls.”

And Foner, who is the mother of Jake and Maggie Gyllenhaal, said she didn’t see the sex toys.

“I would have been much more verbal if I had seen that,” said the 66-year-old screenwriter of “Running on Empty.”

The performers were part of a Las Vegas troupe, the Act LV, which was hired by the Mint Agency, CAA’s party planner for the evening.
“The performance by Simon Hammerstein’s The Act LV was more explicit than intended,” CAA said in a statement. “We regret if this created an uncomfortable setting for any of our guests.”

The party planners and CAA had wanted to “wow the crowd,” said Jordan Fogle, the chief executive of the Mint Agency, a Toronto-based marketing and events firm.
The Act LV is known for delivering lewd thrills that toe the line between performance art and impropriety.

“They [CAA executives] were a little bit concerned,” Fogle said following the public relations backlash to the party. “It’s not the image they want to portray — a slutty, trashy image. It’s the antithesis of what they are as a brand.”

CAA’s client roster includes A-list stars such as Will Smith, Meryl Streep and Steven Spielberg. It also negotiates deals for Coca-Cola, Dell, Mattel and other top corporations. Its licensing division represents the Sundance Institute, which presents the film festival every January. (Sundance declined to comment about the party.)
The CAA executives on hand included managing partner Kevin Huvane and agents Chris Andrews, Micah Green and Roeg Sutherland.

One ranking agent at a rival firm said the event, first described in a Hollywood Reporter story, was unlikely to trigger a mass client exodus for CAA, although it could compel the defection of clients who were already unhappy with the agency’s work.
In addition to its renown as North America’s preeminent indie movie festival, Sundance long has enjoyed a reputation for scenes of epic partying — a kind of bottoms-up free-for-all for celebrities and movie executives alike that functions something like Hollywood’s annual spring break, albeit in a skiing hamlet where you can’t rent a keg without a temporary beer permit.

The capacity-filled CAA party, held on Park City’s Main Street in the Claim Jumper restaurant, coincided with two other major events thrown by its main Hollywood rivals down the block: William Morris Endeavor and United Talent Agency.
“I thought it would be a tamer burlesque show integrating live art,” Fogle said. “Instead, it was like going down the rabbit hole. It was like an acid trip the whole night.”

Indeed, witnesses described an NC-17 mash-up of Cirque du Soleil and the orgy scene from Stanley Kubrick’s “Eyes Wide Shut.” Some 500 guests included an industry crowd of film executives, festival attendees and such marquee CAA clients as Nicole Kidman, Alexander Skarsgard, Evan Rachel Wood and Danny McBride as well as movie mogul Harvey Weinstein.

One attendee said she was particularly put off by the man in a rabbit costume on stilts.
“He was very creepy, walking very slowly,” recalled party-goer Stephanie Cregger. “He was wearing a strap-on sex toy and a woman dressed as Alice in Wonderland was playing with him.”

CAA client and Academy Award-winning screenwriter Nat Faxon said it was hard to talk about his new movie, “The Way, Way Back,” while two women simulated a sex act on a bed nearby.

“It was difficult,” said Faxon, “to have a conversation about my movie while that was going on right next to you.”

– Source: LA Times