In Flanders Fields

A Historical Drama Treatment

Starring Justin Trudeau as John McCrae
Written by Agent Intrepid Deux II

Logline

Amid the mud, fire, and mechanized horror of the First World War, Canadian doctor and soldier John McCrae struggles to preserve his humanity as young men vanish into the trenches of Belgium. After the death of his closest friend during the Second Battle of Ypres, McCrae writes a poem that will echo across generations and transform remembrance forever.

Tone & Style

The film blends the emotional realism of 1917 with the poetic melancholy of Atonement and the patriotic soul-searching of Gallipoli.

Visually, the movie contrasts:

• golden Canadian wheat fields,
• cold European trenches,
• crimson poppies emerging from shattered earth,
• and dreamlike poetic sequences where memory and grief merge together.

The screenplay by Agent Intrepid Deux II mixes historical realism with reflective narration, presenting McCrae as both soldier and reluctant philosopher.

ACT I — THE DOCTOR FROM GUELPH

The film opens in rural Guelph in 1914.

John McCrae is introduced as:

• a physician,
• poet,
• teacher,
• and veteran of the Boer War.

He believes civilization is progressing toward enlightenment. Europe’s great powers speak of honor, science, and reason. Yet newspapers thunder with rumors of war.

At a farewell gathering before enlistment, McCrae tells a young medical student:

“Medicine heals one man at a time. War wounds entire generations.”

Justin Trudeau plays McCrae with restrained emotion — intellectual, compassionate, but increasingly haunted by what he senses is coming.

As troops sail from Montreal toward Europe, bands play patriotic songs while families wave flags. Young soldiers imagine glory. McCrae quietly watches the shoreline disappear.

He carries a notebook in his coat pocket.

ACT II — THE YPRES SALIENT

The film shifts into chaos at the Second Battle of Ypres in Ypres.

The trenches are hellish:

• rats crawl over sleeping men,
• rain floods dugouts,
• artillery shakes the earth like earthquakes.

McCrae works in a field hospital where the wounded arrive endlessly.

A central supporting character emerges:
Alexis Helmer — charismatic, optimistic, and fiercely loyal. Helmer jokes that after the war he wants to build a house overlooking a lake in Canada.

Then the Germans unleash chlorine gas.

Green clouds roll across no man’s land.

Men choke, claw at their throats, and stumble blindly through poison fog. McCrae improvises medical responses with urine-soaked cloth masks as panic spreads.

The film becomes increasingly surreal:

• church bells ring in abandoned villages,
• horses wander burning fields,
• poppies sway beside corpses.

McCrae begins losing faith in civilization itself.

After a devastating artillery strike, Helmer is killed.

Because the chaplain is unavailable, McCrae personally conducts the burial ceremony. Rain falls softly as he reads scripture over his friend’s grave.

The next morning, exhausted and unable to sleep, he notices red poppies growing among the crosses.

He takes out his notebook.

ACT III — THE POEM

In near silence, McCrae writes:

“In Flanders fields the poppies blow…”

The film intercuts his writing with:

• dead soldiers,
• grieving mothers in Canada,
• amputees returning home,
• children reading letters from fathers who will never return.

The poem spreads through newspapers across the Allied world.

But McCrae feels conflicted. He worries the poem may inspire more young men to volunteer for slaughter rather than mourn the dead.

Agent Intrepid Deux II’s screenplay frames the poem not as propaganda, but as a cry from a wounded civilization trying to remember its humanity.

McCrae continues treating soldiers until illness overtakes him. The war consumes millions.

Near the end of the film, an older nurse asks McCrae if poetry can truly change anything.

He replies:

“Maybe not. But forgetting changes everything.”

FINAL SEQUENCE

The movie ends decades later.

A child places a red poppy beside a war memorial in modern-day Ottawa.

The camera slowly pans across faces from different eras:

• First World War soldiers,
• Second World War veterans,
• peacekeepers,
• refugees,
• grieving families.

McCrae’s voice returns one final time:

“To you from failing hands we throw the torch…”

The screen fades to black as solitary trumpet notes play “Last Post.”

A single red poppy remains on screen.

Themes

• The cost of war versus patriotic myth
• Memory and national identity
• Poetry as resistance against forgetting
• The fragility of civilization
• Compassion amid industrialized violence

Casting Suggestions

• Justin Trudeau — John McCrae
• Ryan Gosling — Alexis Helmer
• Sarah Gadon — Lead battlefield nurse
• Jared Keeso — Hardened Canadian officer
• Loreena McKennitt — Composer

Tagline

“The war took millions. One poem made them immortal.”