The Gerson Miracle examines many of the elements of the Gerson Therapy, explaining why we are so ill and how we have in our grasp the power to recover our health without expensive, toxic or mutilating treatments, using the restorative forces of our own immune systems. Even the most advanced cases of cancer can be successfully reversed using this method. While the results seem miraculous, the real “miracle” lies within our own body and its healing processes.
written and coded by Dr. Fishman
MTV Warns us about Martial Law and Concentration Camps in America.
Why would the “ones behind the curtain”/”puppet masters, etc.” allow this to air, or stay on the air?
And what is MTV’s agenda with this?
written by WAR ON YOU and coded here by Joe
Professor Griff discussing occult rituals in hip hop. This is part 33 of the Industry series. I’ll post more of Professor Griff in the future. The rabbit hole goes deep. Are you following me? Until next time. Peace out!
written and coded by Jimmy
By VC | November 27th, 2011 | Category: Music Business | 166 comments
Florence + the Machine obtained commercial and critical success by releasing music with a distinct sound and feel. Although her works are often covered by mass media, one aspect of her act is rarely mentioned: the esoteric symbolism of her songs and videos. We will look at the meaning of the videos “Shake it Out” and “No Light No Light”, two enigmatic videos from the album Ceremonials.
Florence + the Machine is different from most of the singers mentioned on the Vigilant Citizen for several reasons. First, there is obvious talent and artistry involved in her works, making them more profound than most pop songs out there. Second, there is a definite occult influence in her music but it is not hidden or concealed, but rather all out in the open. In an interview with Nylon magazine, Florence stated:
“I wanted to be a witch when I was a kid. I was obsessed with witchcraft. At school, me and my two friends had these spell books; I always wanted a more magical reality. I had a little shrine at home and I did a spell to try and make the boy in the other class fall in love with me.”
The videos of Shake it Out and No Light No Light both contain enigmatic imagery (see the confused comments on YouTube) that relate to ancient occult concepts. Analyzed from an esoteric point of view, both videos can indeed by seen as “ceremonies” where symbols and colors describe a story of profound transformation. The imagery of Shake it Out tell the story of an initiation ritual in a strange secret society while No Light No Light describes a profound spiritual change in the context of duality. We’ll look at the esoteric meaning of both videos.
Taking place in a strange masquerade ball with masked guests – reminiscent of the secret society orgy in the movie “Eyes Wide Shut” - Shake it Out follows Florence’s evolution. From being shy and reserved, she becomes ecstatic and almost demented. In an interview, Welch described the video’s setting this way:
“Think of a psychedelic 1920s dress party with a demonic twist. Possession meets The Great Gatsby. (…) We were kind of going for a sort of ‘Gatsby at West Egg’-style house party but with maybe slightly ritualistic and sort of satanic undertones and séances.”
In this strange setting, there are several Florences, with different personalities and wearing dresses with symbolic colors. Each of them tell a different part of the story of Florence’s initiation and its results. As we have seen in previous articles on this site, the theme of initiation is often found in modern pop videos and there is one thing they all have in common: a focus on the colors white, red and black. This video is no exception as the color of Florence’s dresses tell alot about the meaning of the character she is embodying.
At the beginning of the video, Florence wears a pearl/gold colored dress and looks shy and almost reticent as she enters the ball. She is obviously the “guest of honor” but she is unsure of what she is walking into.
Florence shyly descending the stairs to the ball.
As she enters the ball, she is greeted with strange cloaked and mask figures. Some of them are quite weird but interesting.
A mask representing Hypnos, the Greek god of sleep – from which the term “hypnosis” comes from. He is the twin of Thanatos, the god of death and His palace was a dark cave where the sun never shines. At the entrance were a number of poppies and other hypnogogic plants.
This mask with multiple faces appears to be a favorite in elite “Illuminati balls”…
Baron Alexis de Redé (right) wearing a similar multi-face mask at an actual Rothschild ball in 1972.
The ceremony is centered around her and with good reason: it is her initiation ritual. One of the figures blindfolds Florence.
Florence is blindfolded by a man in a red cape.
The blindfolding of new initiates is an intricate part of Masonic-like rituals and bear a very symbolic meaning: they represent the candidate’s prior blindness and ignorance.
Image taken from Duncan’s Ritual of Freemasonry describing the initiation of a new Mason. He is blindfolded and walked around the Lodge.
The lyrics of the song sustain the overall theme of these kinds of initiations as they pertain to the abandoning of a dark past and the embracing of a new life. Some parts of the song are particularly interesting as they appear to allude to specific aspects to Masonic initiations. This following passage refers to candidates being “in the dark” before the completion of the initiation.
It’s always darkest before the dawn (…)
And I’ve been a fool and I’ve been blind
Other passages of the song are oddly reminiscent of the oaths that are recited during Masonic initiations. For example, these lines:
I am done with my graceless heart
So tonight I’m gonna cut it out and then restart
can be related to this part of the Masonic initiatory ceremony:
“Oh! that my breast had been torn open, my heart plucked out, and placed upon the highest pinnacle of the Temple, there to be devoured by the vultures of the air …”
Another part of the song refers to several aspects of an initiation, whether it being the “end of a road”, the concept of darkness (most secret society initiations place candidate in dark rooms for a period of time to represent death and rebirth) and preparedness to suffer (during the initiation ritual)
And I’m damned if I do and I’m damned if I don’t
So here’s to drinks in the dark at the end of my road
And I’m ready to suffer and I’m ready to hope
It’s a shot in the dark and right at my throat
This last line is also similar to a portion of the Masonic oath.
“I arose, and on my passage around the Lodge was accosted by three Fellow Crafts, who thrice demanded of me the secrets of a Master Mason; and, on being refused, the first gave me a blow with the twenty-four-inch gauge, across my throat”
Whether or not these allusions to secret societies were intentional, they definitely give a sense of “spiritual rebirth” to the song.
In another scene where Florence plays the role of “new initiate”, she is shown taking part of a séance to communicate with spirits, confirming the occult nature of the gathering.
Florence at a séance table with other members.
Is this what engendered Florence in red?
The Florence that is dressed in a red dress is drastically different, as if she was possessed by a spirit.
In another part of the video, Florence is dressed in red – the color of sacrifice and initiation – and has a completely different demeanour. She is unrestrained, dances frantically and appears to be slightly possessed. While she seems to be having the time of her life, she also appears to be consumed and disturbed by whatever is effecting her.
Another Florence appears to be a result of the initiation: a pure and angelic Florence dressed in white, symbol of purity and innocence. She runs out of the party and climbs on a tree, looking godly and at peace.
Florence in a pure and virginal white dress.
Florence in red is therefore the opposite of the shy and innocent Florence dressed in white. These two personas reflect the occult concept of duality that takes place within her, a concept that is also reflected in the lyrics with passages such as:
Cause looking for heaven, for the devil in me
Looking for heaven, for the devil in me
Well what the hell I’m gonna let it happen to me
A forth persona is shown in the video: a cool, calm and powerful Florence dressed in black formal wear – symbolizing the full-fledged society member.
Florence dressed in black in a private setting – dancing with two masked men.
Florence’s initiation appears to have generated two results: a Florence dressed in red, who appears to be drunk on the world’s materiality and animal impulses, dancing without restraint and embracing her sexuality and a Florence dressed in white who leaves the ball to go on a tree (symbolically leaving the earthly realm to ascend towards the spiritual). The balance between these two opposite forces is at the basis of hermetic concept of duality. This all-important theme also appears to be central to Florence’s second video, No Light No Light.
No Light No Light has none of the subtlety of Shake it Out. It rather violently clashes two diametrically opposing forces battling for nothing less than Florence’s soul. The imagery of the video is based on contrasts and opposites, using concepts such as light and darkness, good and evil, black and white, civilization and tribalism, church and sorcery and so forth. The two main scenes of the video that are pitted against each other are so clichéd that they border on caricature: an entranced voodoo doctor practicing black magic versus innocent church choir boys. The opposition is vivid, yet both worlds appear to be part of Florence’s experience (she was in choir during her youth, while also dabbling in occultism). The two scenes bring up an almost archetypal sense of good and evil, thus symbolically representing the eternal struggle that is happening within Florence’s soul.
The first scene shows a masked man, sitting in the dark, in front of lit candles and a voodoo doll.
Voodoo guy about to cast a spell on Florence
The shaman is inside a Masonic Lodge. Although it is dark, we can notice the Masonic throne, the Blazing Star above it and the all-important checkerboard-patterned floor.
The shaman sticking a needle inside a voodoo doll. The Masonic checkerboard floor is the space on which occult rituals and ceremonies take place. The black and white pattern represents the coexistence of good and evil repeated in an infinite pattern and is therefore a visual representation of the concept of duality.
Like the checkerboard pattern, the video visually depicts the eternal fight between two opposing forces in the spiritual realm, but it uses human figures instead. Opposed to the voodoo shaman is another evocative image: young choir boys inside a church.
Church choir boys represent the force opposite to the shaman.
So Florence is standing atop of a skyscraper, looking somewhat confused, knowing that she must make a choice, trying to hang on. This sense of uncertainty is reflected in the lyrics:
“I was disappearing in plain sight
Heaven help me, I need to make it right
You want a revelation, You want to get it right
But it’s a conversation, I just can’t have tonight”
Florence appears to be under the spell of the shaman as he hurts her by sticking needles inside the voodoo doll. At one point, Florence lets go and embarks into a gigantic free-fall from the top of a tall building. She crashes through the church’s stained glass ceiling and floats in a burst of light.
Florence enters the church, but not from the front door, by crashing from the ceiling.
Florence enters the church from above, floats in mid-air and takes a position that makes her appear to be Christ-like. This symbolic image refers to the Gnostic concept of “inner-Christ”, where salvation and godhood is obtained from within by illumination. Florence is then caught by the choir boys and carried somewhere. Her embrace of “good” apparently kills the voodoo doctor who begins convulsing. By banishing the evil that had control of her, Florence attained Gnosis and therefore became “like Christ”.
This video has caused controversy because it was deemed racist. These observers claim that the “bad guy” is a stereotypical tribal-voodoo shaman and is, in fact, a “black face”, a non-black person painted black, like they used to do back when media was openly racist. At one point during the video, we see Florence, a red-headed white woman running away from evil that is represented by a black guy. It is also noted that she is saved by a European choir that is exclusively composed of white boys. With that being said, can we truly say that the video is purposely racist? I honestly cannot say and that is not the point of the article. I can, however, say that race is indeed used in a symbolic way to emphasize the occult concept of duality and to further develop the sense of opposition between the two scenes.
As said above, humans are used in this video to depict abstract the concept of struggle between opposing forces, as depicted by the symbol of Ying and Yang. The struggle is happening inside of Florence, on a spiritual level, hence the spiritual imagery of the video. Everything about these forces is opposed, including their skin color – white and black – as they become an embodiment of the checkerboard pattern floor. White is traditionally associated with good and black with evil. This unfortunately translates very badly when it comes to skin color but the direction of the video appears to have taken this bold step anyways.
The lyrics of the song further accentuate the concept of struggle between good and evil. While it can be interpreted as a song to a lover, the vocabulary that is used, along with the video’s imagery, alludes to a spiritual struggle. The entity she is speaking to appears to have an ethereal quality as she mentions she is witnessing A revelation in the light of day. With that being said, who or what is she talking to? To God (who brings revelation)? The Devil (who is said to have blue eyes)?
“No light, no light in your bright blue eyes
I never knew daylight could be so violent
A revelation in the light of day
You can’t chose what stays and what fades away
And I’d do anything to make you stay”
There is a definite sense of ambiguity which only emphasizes on the concept of duality, where opposing forces are part of a greater whole. In other words, good and evil, God and Satan are considered to be “two sides of the same coin”.
Florence + the Machine’s videos for Ceremonials indeed include a great deal of ceremony and ritual. Through the symbolism and color codes found in the videos, Shake it Out and No Light No Light both tell stories that take place on the esoteric plane, mainly involving the all-important concept of duality. The first video is centered around the concept of initiation in the context of a high-society masquerade ball (sometimes referred to as an Illuminati ball). The second video opposes spiritual figures representing good and evil that border on caricature, where Florence, a soul in peril, frees herself from the spell of a voodoo shaman to be saved by a church choir, which represent her own good and dark side. That being said, one can argue that it was the shaman (her dark side) who pushed Florence towards her own enlightenment. Is he therefore truly evil or simply part of a greater scheme? That is the mystery of duality and these are the esoteric concepts that transpire from Florence + the Machine’s works. Does that make her message good or evil? To quote her words: “Looking for heaven, for the devil in me“.
written by VC and coded here by Joe
It’s good to see Florence of Florence & the Machine has woken up to the animal niggers out raping white women in Great Britain. She runs like a bat out of hell from that crazy Negro with the voodoo doll.
The nigger wears a blonde wig trying to be white at the beginning. Florence is sleeping with her crystal skull, 13 of which will save the Earth from Apocalypse acccording to kike director, SS, STephen Spielbergo. What a joke. Nothing will save us from the apocalyptic race war Charles Manson prophecied of. Helter Skelter is coming. That nigger will never be white playing with his voodoo doll. But you think Christianity is a superior religion?…NOT on your life. The only GOOD religion is WOTANISM racially aware comrades. Trust me on this.
Anyhow, where was I? Anyhow, the nigger is wearing a blonde wig at the beginning then he chases FLorence down the street. There’s a big stink about how racist this video is. Joe keeps telling me its about Freemasonry but I don’t believe him. It’s about race. Everything boils down to race.
Anyways, Florence escapes back into the loving white arms of choirboys as she escaped her black assailant. Future White Nationalists those kids!
It’s nice not to be banned anymore Joe. I know you told me the black faced nigger is Asian but wtf? Asian kid painted black? Why? I bet your gonna tell me exactly what this video is about.
Until next time racially aware comrades! 14/88
written and coded by Derek Vinyard
By VC | November 10th, 2011 | Category: Latest News | 195 comments
This Versace ad for H&M, featuring models Lindsey Wixson and Daphne Groeneveld, is loaded with mind control triggers and symbolism. Directed by Jonas Akerlund (who directed quite a few videos featured on this site), the ad portrays Donatella Versace as an all-controlling, all-seeing handler who manipulates the models in all kinds of disorienting, restrictive situations. Here’s the ad:
Some of this ad’s scenes:
Alter personas being pumped out of a conveyor belt under the “all-seeing” eyes of Donatella Versace.
Controlling the models like living, breathing puppets.
The model is running around in a scene inspired by Escher’s painting “Relativity” – which is known to be used in actual mind control programming. A shadowy hand (the handler) picks the model up.
Model alter-personas mindlessly walking around a cage. Actual MK slaves are also caged up like animals.
Then Donatella turns around and says: “My house, my rules, my pleasure”. That’s what a mind control handler would say.
written by VC and coded here by Joe
Sam Burcher reports on a nutritional hypothesis with possible implications for prevention and treatment of the global pandemic
A fully referenced version of this article is posted on ISIS members’ website. Details here.
During the last decade, research has indicated an important geographical link between regions of selenium deficient soils and peak incidences of HIV/AIDS infection. AIDS disease appears to involve a slow and progressive decline in levels of the trace element selenium (Se) in the blood along with CD4 cells, which are both independent predictors of mortality.
AIDS infection in Africa has reached pandemic proportions with over a quarter of the population said to be suffering from the disease in some areas, although there is debate over how the WHO has extrapolated their statistics (see “African Aids epidemic?” SiS 22). Figures from Harvard in the United States put infection rates as follows: Zimbabwe 25.84%, Botswana 25.10%, Zambia 19.07%, South Africa 12.91%, Côte D’Ivoire 10.06%, Tanzania 9.42%, Ethiopia 9.31%, and Congo 4.31%.
But Senegal in West Africa has the lowest numbers of AIDS prevalence at 1.77% in the general population, and 0.5% in antenatal clinic attendees along with the highest levels of selenium-enriched soil. Geologically, Senegal is situated in the desiccated or dried up Cretaceous and early Eocene Sea, and the land is formed from sedimentary rocks from dissolved minerals in the evaporating seawater. Consequently, calcium phosphates are one of the country’s mined mineral products used for fertilizers, and are derived from the selenium rich phosphorite. Senegal can also claim the lowest level of cancers on the African continent.
Geographical disease pattern analogies made by Prof E.W. Taylor, University of Georgia, suggest that AIDS, Karposi Sarcoma and cancers are rife in regions of selenium depleted soils and that this has further implications in the seemingly unstoppable spread of AIDS incidence worldwide.
In China, selenium deficient regions are known as the Chinese “disease belt”. Here, the daily average intake of selenium is less than 10 micrograms. This contrasts with parts of the US and Canada where daily selenium intake is 170 micrograms. Viral diseases such as Coxsackie’s B3, hepatitis B and C, and HIV/AIDS are all on the increase. Coxsackie B3 is further complicated by a heart condition known as “keshans”, which is endemic in “disease belt” areas. Since the introduction of selenium-enriched fertilizers onto soils and crops and into feedstocks and table salt, there has been a decline in keshans.
A three year study of an entire town in Jiangsu Province where 20 847 residents were given table salt fortified with selenium showed that hepatitis infection decreased to 4.52 per 1 000 compared to 10.48 per 1 000 in communities using regular table salt. The same researchers concluded that a 200-microgram daily dose of selenium-yeast supplement significantly reduced primary liver cancer associated with hepatitis B and C. It appears that death rates from viruses such as hepatitis, Coxsackie B3 and associated heart diseases like keshans can be greatly reduced by increasing dietary selenium intake and would be similarly effective in slowing the progress of AIDS deaths.
Prof Harold Foster of the University of Victoria in Canada has named the link between the viral diseases of HIV/AIDS, Coxsackie’s and hepatitis B and C, “The selenium CD4 T cell tailspin”, as a way of describing the relationship between selenium and the human immune system. Adults and children with advanced AIDS syndrome display both highly depleted selenium plasma stores and reduced CD4 Cell counts. Foster argues that the fall of selenium levels trigger the reduction in CD4 cells, which in turn cause further decline in serum selenium.
Retroviruses like HIV depress selenium levels in their hosts by encoding the gene for the human selonenzyme glutathione peroxidase. This allows the virus to replicate indefinitely by continuously depriving the host of glutathione (an inhibitor of reverse transcriptase,) and the four basic components of glutathione peroxidase: selenium, cysteine, glutamine and tryptophan. As levels of selenium decline so do CD4 cells which allow “opportunistic” pathogens to invade the immune system and further deplete levels of selenium and CD4 cells in a positive feedback loop whereby if one variable declines, it causes further depression in the other. This downward spiral compromises the ability of the immune system to defend the body from infection, which plays a significant role in AIDS mortality.
Foster is currently treating dozens of HIV/AIDS patients in Africa using a protocol of the four nutrients – selenium, cysteine, glutamine and tryptophan. He says that the treatment of HIV/AIDS with nutrition is similar to “curing” type-1 diabetes with insulin. When high doses of all four nutrients are administered to patients, deficiencies dissolve, as do the symptoms associated with AIDS. Patients have been able to return to work within one month of receiving nutritional treatments. Treating primary nutritional deficiencies with selenium and essential amino acids costs approximately $10-$15. See Box 1.
As HIV/AIDS sufferers are often extremely deficient in all four nutrients associated with glutathione peroxidase, the “selenium CD4 T cell tailspin” hypothesis which describes HIV/AIDS as a disease of nutrient deficiency caused by a virus may explain how HIV progresses to AIDS.
The American AIDS expert Dr Roberto Giraldo said at a recent seminar in South Africa that AIDS can presently be conquered and curtailed although not totally cured through the adequate ingestion of appropriate micro-nutrients in sufficiently large doses, such as vitamins, amino acids and minerals.
The cause of progression of HIV to AIDS is still unknown, but the role of nutrition and supplementation in the prevention and treatment of the disease cannot be ignored. Prof Luc Montagnier (the co-discoverer of HIV) states that AIDS is characterised by a persistent oxidative imbalance and a decrease of glutathione. Changes in biochemical markers cause systemic oxidative stress and damage and Montagnier believes that antioxidants are useful in inhibiting viral replication and associated apoptosis in HIV/AIDS patients.
Glutathione (GSH) is the ubiquitous tripeptide essential for the function of all cells. Studies show that low GSH levels increases HIV replication and impairs T cell function that can lead to a progression of HIV disease. And oral administration of the GSH-producing drug N-acetyl Cysteine (NAC) improves survival rates in HIV/AIDS patients. NAC helps the body to synthesise glutathione and is beneficial in protecting lung tissue through its antioxidant activity as well as supporting nerve cells, and is effective in treating liver failure where drug toxicity is indicated. NAC also counteracts apoptosis (cell death) and helps maintain and replenish the HIV damaged CD4 T lymphocytes, crucial for dampening the progression of HIV to AIDS.
NAC supplement is recommended to HIV/AIDS sufferers who are receiving anti-retroviral treatments as well as those who are not. There is growing evidence that HIV/AIDS patients want alternative and non-toxic immune-boosting treatments, but would prefer them to be prescribed by the doctors or health care professionals. Despite billions of pounds spent on AIDS research very little funding or research is allocated for the provision of these types of treatment on the NHS.
Raising glutathione levels encourages the immune system to go into anti-cancer and anti-viral mode by replacing decreased levels of plasma cysteine, a major source of sulphur. Patients with advanced HIV infection have tryptophan levels at less than 50% of those in age and gender matched controls and boosting levels of tryptophan can enable to body to synthesise serotonin and niacin which protect against dementia. Improving glutamine levels can alleviate depression and improve digestion by increasing intestinal cell proliferation, and intestinal fluid/electrolyte absorption, which can help combat diarrhoea.
Three major factors have contributed to selenium depletion in the soil. Acid rain is caused by large quantities of sulphur and nitrogen that convert into sulphuric and nitric acids in the atmosphere and changes the capacity of soil to bind elements at pH neutral or slightly alkaline. The altered pH balance increases bioavailability of certain elements and decreases that of others including selenium. Heavy metals in rainfall also contain mercury, which can combine with selenium to produce the insoluble mercury selenide. Soil acidification therefore lowers the abundance of selenium in the global food chain, which may have contributed to the rapid increase of cancers and HIV/AIDS.
Chlorofluorocarbons are unique to the latter half of the 20th Century and have contributed to the thinning of the ozone layer, which causes an excess of ultraviolet B radiation. Overexposure to ultraviolet light decreases helper T-lymphocytes and increases suppressor T-lymphocytes making the individual more susceptible to diseases.
Chemical pollutants also play a role in altering the immune function and lowering host resistance to pathogens. The World Health Organisation estimate that there are 500 000 pesticide related illnesses and 20 000 deaths per year. Scientific studies on PCB’s show that glutathione peroxidase activity is depressed and induces apoptosis of pre B-lymphocytes in the plasma of animals.
Whey protein, a derivative of milk production routinely discarded by the diary industry contains all the essential and non-essential amino acids necessary to improve immunity by increasing glutathione levels in the blood. Oral supplementation of whey proteins can also help to combat wasting associated with AIDS.
A wide variety of nutrients, vitamins, amino acids, herbs and minerals such as copper, zinc, and selenium are clearly beneficial in slowing death rates in the HIV infected individual. And vitamins A, C and E can help to reduce the oxidative stress and viral load that characterises HIV/AIDS sufferers. This is especially important in areas where combination therapies are unavailable
Worryingly in Europe, moves are afoot to prohibit the sale of fourteen forms of selenium including organic forms, selenium yeast and selenomethionine if the EU Directive on Food Supplements comes into force in August 2005.
A geographical perspective into the possible causes for the late 20th century phenomenon of AIDS is welcome adjuvant in the absence of a conventional vaccine or safe affordable treatments for all.
Box 1
For a healthy person a daily supplementary intake of 50-200mg of selenium (Se) is safe, but for someone with a compromised immune system an increase of 100% may be necessary to improve selenium plasma levels. Where soil quality is good and produce fresh, the four essential nutrients in preventing and fighting HIV/AIDS and other viral diseases are found in these foods:
Selenium – Brazil nuts, garlic, mushrooms, liver, round steak. Lobster, shrimp, cod, crab, herring, oysters, tuna. Barley, whole wheat, egg noodles, Brewers yeast.
Cysteine – Duck, turkey, pork, wheatgerm and yoghurt.
Glutamine – Sausage meats, ham, bacon, cottage cheese and ricotta cheese, wheatgerm
Tryptophan – Ham and beef, eggs, almonds, salted anchovies, Parmesan and Swiss cheeses.
written by Sam Burcher and coded here by Dr. Fishman
Raised on a wildlife reserve in Alaska, 15-year-old Garrett was interested in the dietary habits of the farm animals. After the tragic death of his mother, Garrett’s father decided to home-school his son and assigned a book written by Dr. Max Gerson that proposed a direct link between diet and a cure for cancer.
Fascinated, Garrett embarks in this documentary on a cross-country road trip to investigate The Gerson Therapy. He meets with scientists, doctors and cancer survivors who reveal how it is in the best interest of the multi-billion dollar medical industry to dismiss the notion of alternative and natural cures.
written and coded by Dr. Fishman
Click on the book cover to download Andrew Carrington Hitchcock’s enormously important book Synagogue of Satan.
written and coded by Joe
Everyone from Jay-Z to Lady Gaga has been accused of being a member of the Illuminati secret society, thought to be some mysterious group of power players who pull strings to help launch careers. But Jennifer Hudson ain’t having it. The Grammy winner is blasting rumors that she is part of the cult.
“I’m so glad someone brought this Illuminati mess up because only a child of God would address it,” the 29-year-old singer told fans during her Ustream session. “That is the most ignorant thing I have ever heard in my life. And it’s offensive because basically what? The people that are here today don’t deserve to be where they are? What, we didn’t work for it? So I find—and I hate to go there—but I find it’s those that can’t make it that would probably join Illuminati, or whoever that is, to get somewhere.”
And while it’s easy to buy into the Illuminati’s existence, J-Hud explained that anyone who believes the Illuminati myth is being fooled. “Don’t listen to that type of stuff, don’t follow that stuff because those people are only luring you in to become a part of some mess like that, so know that you’re only falling victim,” she warned. “That’s their way of gaining [followers]. I’d advise you to stay away from it. Those who are reading it are falling into it. It could not be more untrue.”
written by Rap-Up and coded here by Joe
